On 5 and 6 September, 2024, the Census will be co-organising a conference at the Ashmolean Museum devoted to the topic ‘Creativity and Invention in Antiquarian Drawings (1400–1600)’.
The conference, organised by Cammy Brothers, Kathleen Christian, Jenny Sliwka, and Catherine Whistler, was made possible by generous grants from the Fritz Thyssen Stiftung, the Berlin University Alliance Oxford-Berlin Partnership, and Northeastern University. It is part of the activities of the Census research focus ‘The Antiquarian Drawing as a Site of Creative Invention’.
Creativity and Invention in Antiquarian Drawings (1400–1600)
5 September and 6 September, 2024, Headley Lecture Theatre, Ashmolean Museum
5 September
14:00–14:30 Jennifer Sliwka (Oxford), Cammy Brothers (Boston), and Kathleen Christian (Berlin)
Introduction
14:30–15:00 Giovanni Santucci (Pisa)
Accumulation, Hybridization and Invention in Giovanni Battista Montano’s Antiquarian Drawings
15:00–15:30 Coffee Break
15:30–16:00 Michael Waters (New York)
Architects, Antiquarians, and Enduring Invented Antiquities in the Sixteenth Century
16:00–16:30 Marzia Faietti (Bologna)
The Space of Antiquity in Amico Aspertini. Memory and its Rejection
16:30–17:00 Discussion
6 September
10:15–10:45 Carolyn Yerkes (Princeton)
Ancient Siege and the Early Modern Landscape
10:45–11:15 Elizabeth Merrill (Ghent)
Francesco di Giorgio’s Antiquarian Empiricism
11:30–12:00 Coffee Break
12:00–12:30 Clare Guest (London)
Essence and Mode: the Sophistic Presence in Antiquarian Aesthetics
12:30–13:00 Robert Gaston (Melbourne)
Historiographic Misprision: Pirro Ligorio’s Antiquarian Drawing and the Conflict of Scholarly Disciplines
13:00–14:15 Lunch, for speakers and registered attendees
14:15–14:45 Anna Rebecca Sartore (Ghent)
The Libro Capponi and Antonio da Sangallo the Elder’s Inventiveness in Drawings after the Antique
14:45–15:15 Tatjana Bartsch (Rome)
Drawing Antiquities with the Eyes of the Painter. Maarten van Heemskerck in Rome
15:30–16:00 Coffee Break
16:00–16:30 Kathleen Christian (Berlin)
A Census of Supposed Testimonials of Direct or Indirect Observations of Possibly at Least Partially Antique Works of Art and Architecture Known in the Renaissance
16:30–17:00 Cammy Brothers (Boston)
Archaeology, Antiquarianism, and the Art Historian
17:00–17:30 Discussion
Raphael, Studies for the Sala di Costantino, inspired by an antique sarcophagus, Ashmolean Museum, WA1846.210